Alix Eynaudi lives, works and dances in Vienna.
Alix was trained as a ballet dancer at the Paris Opéra joining Anne-Teresa De Keersmaeker’s company Rosas where she worked for 7 years.
Since 2005 she has been creating her own pieces: Crystalll, in collaboration with Alice Chauchat (2005), Supernaturel (2007), Long Long Short Long Short (2009), in collaboration with Agata Maszkiewicz. In 2011, she leads, together with Kris Verdonck, an artistic research on sleep which turns into Exit (2011), a solo in which she puts the audience to sleep. Then comes Monique (2012), Edelweiss (2015 and Chesterfield (2017).
She is currently working on the development of Noa & Snow, an art-based research project that has been awarded a grant by the Austrian Science Fund (FWF): Peek for the next 2 years. Noa & Snow, a gentle experiment between the everyday and the event, aims at exploring the capacities of poetry to ignite imagination across several writing modes and genres in order to shed some light on the possible articulations between performance practices and writing practices.
Alix’s artistic practice involves teaching workshops e.g. .at PARTS, Brussels, ImPulsTanz, Vienna, HEAD, Geneva, La Manufacture, Lausanne, KASK (Performance), UGent (S :PAM), Tanzquartier, Vienna, festival Le Far, Nyon (CH).
Alix also continues to develop projects with other artists, both as a collaborator and a performer e.g. Anne Juren, Boris Charmatz, Jennifer Lacey.
My interest lies in art-based social experiments as well as the infinitely soft. I think of my work as a choreographer as the work of a social-event organiser. 
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https://www.alixeynaudi.com